Cunningham disagreed with their decision, believing Hodder was the best choice for the role. There are conflicting reports over the reason Kirzinger was cast. According to Yu, Kirzinger was hired because he was taller than Robert Englund, the actor who portrays Freddy Krueger. Kirzinger stands 6 feet 5 inches 1. Kirzinger believes his experience on Part VIII helped him land the part, as Kirzinger doubled for Hodder on two scenes for the film, [79] but also believes he was simply sized up and handed the job.
Kirzinger's first scene was Jason walking down Elm Street. New Line wanted a specific movement in Jason's walk; Kirzinger met their expectations and signed a contract with the studio. Actor Douglas Tait was brought in to film the new ending, as he was available for the reshoot and had been the production's second choice to portray the role of Jason during the original casting.
For the remake, stuntman Derek Mears was hired to portray Jason Voorhees at the recommendation of makeup special effects supervisor Scott Stoddard. As Mears explained, portraying Jason is similar to Greek mask work, where the mask and the actor are two separate entities, and, based on the scene, there will be various combinations of mask and actor in the performance. The physical design of Jason Voorhees has gone through changes, some subtle and some radical. For Friday the 13th , the task of coming up with Jason's appearance was the responsibility of Tom Savini, whose design for Jason was inspired by someone Savini knew as a child whose eyes and ears did not line up straight.
For Part 2 , Steve Miner asked Carl Fullerton, the make-up effects supervisor, to stick to Savini's original design, but Fullerton only had one day to design and sculpt a new head. Fullerton drew a rough sketch of what he believed Jason should look like, and had it approved by Miner. Gillette had to spend hours in a chair as they applied rubber forms all over his face, and had to keep one eye closed while the 'droopy eye' application was in place.
Gillette's eye was closed for twelve hours at a time while he was filming the final scenes of the film. False teeth created by a local dentist were used to distort Gillette's face. Miner wanted to use a combination of the designs from Tom Savini and Carl Fullerton, but as work progressed the design began to lean more and more toward Savini's concept.
White did keep Winston's design for the back of the head, because the crew did not have the time to design an entirely new head for Jason. The script for Part 3 called for Jason to wear a mask to cover his face, having worn a bag over his head in Part 2 ; what no one knew at the time was that the mask chosen would become a trademark for the character, and one instantly recognizable in popular culture in the years to come.
None of the effects crew wanted to apply any make-up for the light check, so they decided to just throw a mask on Brooker. The film's 3D effects supervisor, Martin Jay Sadoff, was a hockey fan, and had a bag of hockey gear with him on the set.
He pulled out a Detroit Red Wings goaltender mask for the test. Using a substance called VacuForm, Doug White enlarged the mask and created a new mold to work with. After White finished the molds, Terry Ballard placed red triangles on the mask to give it a unique appearance.
Holes were punched into the mask and the markings were altered, making it different from Sadoff's mask. One mask was composed of approximately 11 different appliances and took about six hours to apply to Brooker's face; this mask was used for scenes where the hockey mask was removed.
In the scenes where the hockey mask is over the face, a simple head mask was created. This one-piece mask would slip on over Brooker's head, exposing his face but not the rest of his head. Tom Savini agreed to return to make-up duties for The Final Chapter because he felt he should be the one to bring Jason full circle in terms of his look from child to man.
Since Jason is not the actual killer in A New Beginning , it was not necessary to do any major designing for Jason's look. Only a head mask to cover the top and back of the head, like the one Brooker wore while wearing the hockey mask, was needed for the film. Buechler wanted the motor boat damage from Jason Lives , and the axe and machete cuts Jason received in Part 3 and Part 4 to part of the design for The New Blood.
Berger designed Jason's skin to overlap with the mask, to make it appear as if the skin and mask had fused and the mask could no longer be removed. The idea was to reveal as much of Jason's skin as possible, because Nicotero and Berger knew the physical character would not be seen for most of the film. Stephan Dupuis was given the task of redesigning Jason for the tenth Friday the 13th film.
One concept brought into the film was Jason's regenerative abilities. The idea was for the teens to completely destroy Jason's body, allowing the futuristic technology to bring him back to life. The metal was created from VacuForm, the same material used to increase the size of the original hockey mask, and was attached by Velcro. The tendrils were made from silicone. All of the pieces were crafted onto one suit, including an entire head piece, which Hodder wore.
The make-up effects team added zippers along the side of the suit, which allowed Hodder to enter and exit the suit within 15 minutes. By the time Freddy vs. Jason entered production there had been ten previous Friday the 13th films. Make-up effects artist Terezakis wanted to put his own mark on Jason's look—he wanted Jason to be less rotted and decomposed and more defined, so that the audience would see a new Jason, but still recognized the face.
Terezakis tried to keep continuity with the previous films, but recognized that had he followed them too literally, then 'Jason would have been reduced to a pile of goo. To achieve this, Terezakis created a 'pooled-blood look' for the character by painting the skin black, based on the idea the blood had pooled in the back of his head because he had been lying on his back for a long time.
As with other make-up artists before him, Terezakis followed Savini's original skull design, and aged it appropriately. Stoddard wanted to make sure that Jason appeared human and not like a monster. Stoddard's vision of Jason includes hair loss, skin rashes, and the traditional deformities in his face, but he attempted to craft Jason's look in a way that would allow for a more human side to be seen. The make-up artist managed to acquire an original set piece, which he studied and later sculpted.
Although he had a model of one of the original masks, Stoddard did not want to replicate it in its entirety. As Stoddard explains, 'Because I didn't want to take something that already existed, there were things I thought were great, but there were things I wanted to change a bit.
Make it custom, but keep all the fundamental designs. Especially the markings on the forehead and cheeks.
Age them down a bit, break them up. In his original appearance, Jason was scripted as a mentally disabled young boy. Exceptions to this include flashbacks of Jason as a child, and a brief scene in Jason Takes Manhattan where the character cries out 'Mommy, please don't let me drown!
Cunningham said, ' He's like a great white shark. You can't really defeat him. All you can hope for is to survive. Tom McLoughlin, the film's director, felt it was silly that Jason had previously been just another guy in a mask, who would kill people left and right, but get 'beaten up and knocked down by the heroine at the end'.
McLoughlin wanted Jason to be more of a 'formidable, unstoppable monster'. Many have given suggestions as Jason's motivation for killing. Ken Kirzinger refers to Jason as a 'psychotic mama's boy gone horribly awry You can't kill him, but he feels pain, just not like everyone else. Farmer liked the idea that sex acts triggered Jason back to life.
According to Hodder, Jason might violently murder any person he comes across, but when Jason Takes Manhattan called for Hodder to kick the lead character's dog, Hodder refused, stating that, while Jason has no qualms against killing humans, he is not bad enough to hurt animals.
Likewise, director Tom McLoughlin chose not to have Jason harm any of the children he encounters in Jason Lives, stating that Jason would not kill a child, out of a sympathy for the plight of children generated by his own death as a child. In Jason Goes to Hell , director Adam Marcus decided to include a copy of the Necronomicon Ex-Mortis, from the Evil Dead franchise, in the Voorhees home as a way to insinuate that Jason was actually a 'Deadite', a type of demonic being from that series. Marcus stated the book's placement was intended to imply that Pamela Voorhees had used it to resurrect Jason after his childhood drowning, resulting in his supernatural abilities: 'This is why Jason isn't Jason.
He's Jason plus The Evil Dead That, to me, is way more interesting as a mashup, and [Sam] Raimi loved it! It should answer questions that have plagued fans for years. Like, how was Jason able to keep coming back. Where was his sister all this time? My son and I put these scripts together to end the Friday the 13th series the right way.
While writing these scripts, we wanted to give the proper respect to the original writers and try to keep with their way of storytelling. When we wrote these scripts, we looked at it from what a fan of the series would like to see in the ending of one of the greatest horror series of all times.
One thing we looked at was the 40th anniversary coming up in How could we put an end to this story? By having the final movie showing on the 40th anniversary.
We looked at the films that were made with Jason in them. We looked at the fact there was eleven films made and one remake film. However, as a big fan, a remake film is not really a part of the series.
The fact that only eleven films were made, we want to end the series at thirteen. So, to end the series the right way, we decided to make two scripts and have the first part come out in and then the second part come out in We put back into the series the horror and gore that made this series one of the best in its time. Also, we wrote into the scripts cameos by past survivors from the series. Audio Software icon An illustration of a 3. Software Images icon An illustration of two photographs.
Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. Friday the 13th: A Novel Item Preview. EMBED for wordpress. These are his woods, and he knows them all too well.
Jason will not only feed off the fear of his victims, but will become stronger as the night progresses. The darker the night, the more terrifying Jason becomes!
Fans of the movies will be able to play as various versions of Jason, including:. The entire focus of Friday the 13th: The Game is multiplayer. Survival is entirely up to you, the player, as you either stealthily hide from Jason or work together as a team to escape or bring the fight to Jason. Playing as a counselor is all about risk and reward, giving players multiple means of triumph over Jason!
Want to hide in the woods as you wait for the police? Perhaps you want to band together and try to take on Jason as a group? Maybe you and a friend decide to fix the boat on the lake and escape while leaving everyone else to their fate? There are endless opportunities to survive the night, but every choice has a consequence. My Summer Car. Friday the 13th: The Game will continually set the pace of change, giving you unfamiliar surroundings while Jason Voorhees looks for his latest victim.
No single strategy will ever be reliable, forcing players to adapt and change each time they begin their long night in Camp Blood!
Be wary, you never know when or where Jason is going to strike!
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